Based on the play of the same name, this script follows the relationship of a ballerina and a writer's evolution over three episodes in their lives: a hotel in Pennsylvania, an opera restroom in London, and a train stop in France.
J. — (F; 17, 20, 23), a young writer for the sake of her own escapism. Frantically closeted. The only things she believes at the beginning are that she doesn't exist and that's a good thing. S. isn't just the subject through which J. can write and therefore exist, but J.'s means of beginning to exist outside of writing.